1/9/2023 0 Comments Mos def the ecstatic sampleThe greatness of Mos isn't limited to the Madlib tracks though. Madlib produces 4 of the tracks on this album (Wahid, Pretty Dancer, Revelations, and the Slick Rick assisted Auditorium), and it's no surprise that these are 4 of the best tracks on the album. Most of the tracks have Middle Eastern influences regardless of who produces the track. Mos samples guitars (and the chorus) from an old Turkish song, and the rest of the album follows the theme of using Middle Eastern instruments throughout this album. The opening track "Supermagic" hits like a hammer. However, the production on this album is without question the best production since Black on Both Sides. Mos Def has always been a very talented rapper, and the strength of his albums has always been his lyrics. It's been a long time since I've heard an album of this caliber, and I still can't think of a better rap album to come out since this album was released nearly 3 years ago. It's been a long This album deserves a 12 out of 10 if I were basing my score on the relativity to other rap albums over the past 5 years. They’d got the measure of each other by the time they recorded “You Can’t Hold The Torch,” Busta skilfully riding the track, while Dilla has the confidence to keep going at his own pace, bringing the best out of both parties.This album deserves a 12 out of 10 if I were basing my score on the relativity to other rap albums over the past 5 years. On the face of it, Busta’s staccato flow might not be the obvious match for J Dilla’s laidback beats, but the two go back to Busta’s 1996 debut. Busta Rhymes: You Can’t Hold The Torch (from The Big Bang, 2006) The bric-a-brac of clipped strings and looped backing vocals are deftly stitched together: a triumph of Dilla’s attention to detail. Though Dilla’s posthumous discography is fast catching up on the material he released during his lifetime, latter-day productions such as “History,” tucked away towards the end of Mos Def’s last album (to date), assuage any fears of barrel-scraping. Mos Def (featuring Talib Kweli): History (2009, The Ecstatic) It’s fitting that both Common and D’Angelo appear on the track: both artists inspired the producer to provide high points in his career, and here they put in trademark performances that more than do justice to the retro-futurist soul of J Dilla’s beat. Originally recorded for a special edition of Common’s 2005 outing, Be, “So Far To Go” first surfaced on Dilla’s first posthumous album, The Shining. Here are just a few of the best J Dilla beats in a discography that continues to reveal new facets.Ĭlick to load video J Dilla (featuring Common and D’Angelo): So Far To Go (from The Shining, 2007) Indeed, as recently as 2014, long-term Dilla cohorts De La Soul released their Smell The DAISY mixtape, featuring unheard beats put together by the late production mastermind. His downtempo, soulful style was not only the perfect bedding for these “conscious” hip-hop artists, but also for D’Angelo’s sultry come-ons.ĭilla left an overwhelming amount of material behind, fuelling seemingly endless posthumous releases while ensuring that his collaborators could continue to honor the man long after his death. Mind-bendingly versatile, he left his fingerprints on high-water marks by everyone from Native Tongues icons De La Soul and A Tribe Called Quest, to The Roots, Common, and Erykah Badu. Just 32 when he died, from a rare blood disease known as thrombotic thrombocytopenic purpura, Dilla had been the unsung hero of hip-hop production ever since he began racking up credits in 1993. His death, on February 10, 2006, robbed the world of a talent it was only just beginning to comprehend. J Dilla is responsible for some of the best beats to ever come out of hip-hop.
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